Thursday, December 20, 2012

Signs of Sense : Reading Wittgenstein's Tractatus

Signs of Sense : Reading Wittgenstein's Tractatus

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This work seeks to shed light on one of the most enigmatic masterpieces of twentieth-century thought. At the heart of Eli Friedlander's interpretation is the internal relation between the logical and the ethical in the Tractatus, a relation that emerges in the work of drawing the limits of language.


To show how the Tractatus, far from separating the ethical and the logical into distinct domains, instead brings out their essential affinity, Friedlander focuses on Wittgenstein's use of the term "form," particularly his characterization of the form of objects. In this reading, the concept of form points to a threefold distinction in the text among the problematics of facts, objects, and the world. Most important, it provides a key to understanding how Wittgenstein's work opens a perspective on the world through the recognition of the form of objects rather than through the grasping of facts—thus revealing the dimensions of subjectivity involved in having a world, or in assuming that form of experience apart from systematic logic.


Bearing on the question of the divide between analytic and Continental philosophy, this interpretation views Wittgenstein's work as a possible mediation between these two central philosophical traditions of the modern age. It will interest Wittgenstein scholars as well as anyone concerned with twentieth-century philosophy.

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Signs of Sense : Reading Wittgenstein's Tractatus Review

Friedlander's sensitive elaboration and re-description of Wittgenstein's enigmatic first book manages to do what no other interpretation has done: it takes the work as a whole, rather than excising bits here and there in order to squeeze the text into an ill-fitting theory, and it re-presents this whole as it deserves to be presented -- slowly, clearly, and considerately, so that the beauty and power of the work emerge for the reader as she follows Friedlander's patient guidance. The first half of the book is spent gaining mastery over Wittgenstein's notions of form and structure (notions which have been ignored and/or muddled by most other interpreters, i.e. PMS Hacker). Once we understand the essential distinction, and essential relatedness, between these two perspectives on the world, we can move into the fruitful and riveting second half of the book, where the Tractarian ideas of the self, death, and the mystical are explored. I highly recommend this new interpretation to anyone who has ever been struck by the uniqueness and strangeness of the Tractatus Logico-Philosophicus; it seems to point to a new path in Wittgenstein scholarship, one which will not only synthesize the schism between that philosopher's early work with his later, but will also allow us to pursue thoughts about the aesthetic intensity of the Tractatus-as-object, on its own.

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