Lots of Fun at Finnegans Wake: Unravelling Universals

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This book is a critical introduction to Finnegans Wake and its genesis. Finn Fordham provides a survey of critical, scholarly, and theoretical approaches to Joyce's iconic masterpiece. He also analyses in detail the compositional development of certain key passages which describe the artist (Shem) and his project; the river-mother (ALP) and her 'first kiss'; the Oedipal shooting of the universal father (HCE) by the priestly son (Shaun); and the bewitching and curious
daughter (Issy). His analyses demonstrate 'genetic' ways of reading the text which illustrate its immense range and playfulness and how these qualities were generated in composition.

As well as opening up the densely detailed textuality of the Wake in all its multiplicity, Fordham argues for a relation between the way the text was formed and key aspects of its thematic content: an uprising of particularity and detail against universality, absolutes, and generality. He shows that the proliferation of individuated textual details overwhelms any unitary concept to the text. And this reflects an idealized and utopian uprising as it overcomes centralizing singularity:
Finnegans do wake up. As part of this argument he proposes a qualified return to a notion of character - qualified in that characters can be understood in part as reflecting the character of compositional techniques: self-criticism and concealment, expansion and growth, flow and reflection, transferral and
transformation. The character of the text's composition as a whole can be, paradoxically, summed up in the force of individuated multitudes: in the people, male and female, young and old, combining to overwhelm syntactic uniformity and singular signification.

Quotations from the works of James Joyce reproduced with permission of the Estate of James Joyce, � Estate of James Joyce. We regret that acknowledgement to the James Joyce Estate for permission to include material by James Joyce was not included in the first printing of this book.

Lots of Fun at Finnegans Wake: Unravelling Universals Review

Finnegans Wake took James Joyce 17 years to write and takes any serious reader a long time to read. In actual fact at first attempt even with a good knowledge of Ulysses it remains a formidable read. However once you have cracked the rythm and have Mc Hughs annotation by your side and can go with the flow of the writing its probably the most fun and rewarding read of one of the most extraordinary books ever written. Finn Fordham in his book on Lots of Fun at Finnegans Wake, provides a stunning tour de force and has produced a text that is essential reading for anyone who is attempting to swim in the river of Joycean words of the Wake. There are some key texts such as James Athertons Books at the Wake, Bernard Benstocks and William York Tyndals guides which are key supports in penetrating the text.
However Fordhams brings the approach of genetic study to a number of sections, where he shows how Joyce drafted and redrafted and recrafted his words to a point of precision. Fordham demonstrates, with elan the extrordinary talent of Joyce and also the extraordinary extent to which each single word of the text is carefully planned and in particular he demonstrates the dense process of allusion, referencing, portmanteau word play, and extraordinary grasp of sound and music of Joyces work.
For those who have tried to approach the Wake and have been thwarted, this book is the key to having another go, along with Jim Nortons 4 CD Naxos reading of sections of the Wake. With a bit of effort and application you will have accessed a life time of literary pleasure. And if you have never tried then this book is one sure way to induce you to try. Go on have a go!

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